˚1980, Wales

Sean Edwards’ work investigates the sculptural potential of the everyday, often using remnants of previous activities as a starting point. In many of the works there is a sense of objects being in-progress, indeterminate and open to change. They function like propositions; the audience is invited to play a part in its creation. The completion is only ever realised in the exhibition environment which undermines the perception of the gallery as a space for fully achieved artworks closed to further development. The works always intentionally hold within themselves a sense of failure, often through the impoverished materials and techniques used. The seemingly incidental and casual nature of the work is a defining characteristic. Its origins traverse the bridge between studio and gallery and it is in this complex yet intrinsic relationship that Edwards’ practice lies. Using a cross-disciplinary approach Edwards’ practice can encompases installation, sculpture, film, artist books and photography.